Al Emirat

A commercial, shot in Kirkuk.

Client: Al Emirat
Services: Content Production
Shot on: April 1, 2026
Location: Kirkuk

01 / 03

Frames from the shoot

Three frames from the film, one above the other: a wide shot of a woman in a rust-red beret and cream jacket and a grey-haired man in a white shirt, navy waistcoat and blue bow tie sitting side by side on a pale textured sofa with wooden arm details, she with one hand raised to her cheek, looking down, he with his fingers loosely laced, two round wooden-topped tables at different heights at the right holding books, a brown leather case and small black objects; a close-up of the man, lips pressed tight and chin puckered, eyes turned sideways; and a close-up of the woman smiling with narrowed eyes, long light-brown hair falling from under the beret. Around them: lit table lamps, framed prints, potted plants and shelves. All three frames are brightly lit.

Three frames from the film, one above the other: a view from below of a man in a checked flat cap and a dark green knitted sweater with a white collar at the neck, eyes wide and lips pressed together, fingers laced in front of him with the index fingers raised; a wide shot of him and a woman with a pale pink scarf over her long light hair and a loose dress patterned in orange, teal and pink brushstrokes, sitting in two matching armchairs with carved, polished wooden frames and brown upholstery, both with hands clasped, a lit lamp with a pleated shade on a glass-topped table between them; and a close-up of the man looking up and to one side, mouth turned down. Behind them, sheer pale curtains with ruffled brown bands and a tall potted plant.

A photograph taken on set, in sunlight: a green screen hangs from clips beside a white truck and runs down onto the gravel. In front of it a woman in a rust-red beret, cream jacket and brown skirt stands holding a tan leather bag, while a man in a black T-shirt kneels beside her, holding up one edge of a large flat board with a silver rim, its other edge resting on the green cloth; another man in black, a pouch reading "ARRI" on his belt, stands with a hand on his hip. Nearby a grey-haired man in a white shirt, dark waistcoat and bow tie stands among crew, one holding a board faced with silver and gold squares, while a black square panel and a microphone in a grey mesh windshield are raised on poles. Behind, a row of bare concrete buildings with tall arches under a blue sky.

A photograph taken on set, outdoors in bright sun: green cloth is spread over gravel, with green backdrops hung on frames behind it. A grey-haired man in a black waistcoat, white shirt and bow tie crouches at the left; a woman in a red beret, cream blazer and long brown skirt stands holding a tan bag. In the foreground a man in a black T-shirt sits with his back to the viewer, holding up the edge of a large white board; more white boards stand and lie on the ground around him. At the right a man in headphones sits on a wooden box, looking through a camera set low on a white base, while another man leans in behind him beneath a black panel on a tall stand. A grey concrete building with an arch stands behind. Across the foreground falls the shadow of someone holding up a small rectangular object in both hands.

A photograph taken on set, outdoors: on the right a monitor with "SMALLHD" on its lower bezel sits in a metal case with a black hood, on a stand. On its screen a grey-haired man in a dark waistcoat, white shirt and bow tie and a woman in a red beret and cream jacket stand apart between two white pillars. To the left, a man and a woman dressed the same way stand close together on a stone path beside a lawn, in front of a white house with black ironwork on its gate and balcony. A microphone in a grey perforated windshield rises on a pole against a blue sky, and behind the monitor's hood stands a black sign bearing the word "TERRA".

A photograph taken on set, indoors: a long room with wood panelling and white shelves on the left, mustard-yellow curtains on the right, a white tiled floor and a dark staircase at the far end. A black camera dolly with a round seat stands on a metal track running toward the stairs. Three people stand around a large round softbox: a man in a white T-shirt, jeans and socks looks down, a bearded man in a black T-shirt holds a stand, and a third, in black, is hidden behind the softbox from the shoulders up. Near the stairs a lamp on a tall silver stand has a dark bowl-shaped front whose open end glows white; on the right, something on a tripod is draped in grey cloth beside a silver flight case. A patterned rug and a black bag printed with "Aputure" lie in the foreground.

A photograph taken on set, looking past upholstered wooden chairs at a wooden dining table. On its far side, at the left, a man in a pale green jacket over a black T-shirt sits wearing headphones, near a camera rig clamped to a tall black stand. Further along, on a black cloth, stands a monitor in a silver metal flight case, its back, with cables, toward the viewer. Three men on the far side look at it: one standing in a white T-shirt, a hand on his hip; one in a black cap and white T-shirt, his chin on his hand; a bearded man in a black T-shirt, seated and leaning in. At the back of the room are kitchen counters and a window covered by dark horizontal blinds; overhead hangs a large cluster of teal, amber and clear glass pieces on thin wires.

A photograph taken on set in the same room, closer to the table, part of which is draped in a black cloth. A bearded man in a black T-shirt and light grey jeans sits wearing a headset, one hand raised in a loose fist, the other resting on the table by a plastic cup of yellow drink with a blue straw. He is turned toward the monitor in the silver flight case, its screen showing a dim, indistinct picture; behind it a man in a white top looks off to the left. On the right a bearded man in a white top, sunglasses pushed up on his head, stands looking down at something in his hands. Around them are the camera rig on its black stand, a terracotta pot with a dark red-leaved plant, glass-fronted cabinets with lit shelves and the hanging glass pieces.

A photograph taken on set in a dim room with textured cream walls. A man with a grey moustache, in a checked grey flat cap, dark green sweater and beige trousers, sits with his legs crossed and hands clasped in a carved wooden armchair upholstered in shiny brown fabric. Beside him a table lamp with a pleated orange shade is lit; behind him, ruffled sheer curtains glow. To the left a man in a black hoodie sits behind a camera on a tripod with a small monitor on top; a person in a pink head covering is partly hidden behind the camera. In the foreground a man seen from behind grips an upright pole topped by a clamp holding a long pale tube. Near the ceiling, beside a gold-coloured chandelier, hang two lit light panels with grids, one marked "amaran".

02 / 03Made by

DirectorHozan Hekim
Art directorHerdi Ali
Director of photographyFalah Hesen
LightingAram Masoud, Mhamad Kamal
Focus pullerMehmud Hekim
Production managerShvan Badri
CastMahir Hasan, Bayan Bomba

03 / 03Next step

Tell us what you're trying to sell.

Message us on WhatsApp and you'll get a person, not a ticket number — usually within two hours during working hours. No form to fill in first.

Message on WhatsApp Or send a brief